It's a problem, making "political or philosophical" art when the market is "about hyper-capitalism" and the art is "poker chips for billionaires."

Nate Lowman is "bummed out" that "other people’s gambling habits change the meaning of paintings." Contemplate the pain of artistic success when the high prices paid "dictate how people perceive art."

Lowman’s work takes the shape of smiley faces, magnetized bullet holes, and Arbre Magique air fresheners. The images he gathers often come from the news cycle or the crime blotter (distressed blondes in general, among them Nicole Brown, murdered former wife of O. J. Simpson; “More or Less,” a 2003 show at Apex Art, featured bearded men such as John Walker Lindh, Jim Morrison, and Che Guevara), and he re-purposes “found” language that lies awkwardly between personal and impersonal, like the bumper sticker Jesus would use the turn signal, asshole.

ADDED: The linked Vanity Fair text is written by Edward Helmore, and he seems unaware of the political (and moral) incorrectness of referring to a murdered woman as a "distressed blonde."